Genius on a train track

When I take the train into "Center City" (Philadelphia, for those who might be reading outside the tri-state Delaware Valley area), I frequently press my camera lens against the car window and snap frantically trying to capture the dynamic, fleeting, powerful urban art that I pass by. The pictures are never good.

I've harbored fantasies of slipping down through the urban obstacles to take good shots, but realize that if I did, the next post you would read would be a request for bail money!

So, how cool was it for me to discover Oliver Wright at a local street art fair in Ambler, PA this past weekend? VERY COOL. Oliver said, "I used to work on real trains..." and he sighed a wistful sigh. "Then," he said, "I grew up."

I don't want to send him bail money, but I was more than happy to plunk down my dinero for a table-sized piece of art:

Oliver Write - Revilo 215

Is this genius, or what? Now I can take my camera lens away from the train car window!

Here's Oliver's contact info. Pay him a visit, and tell him you heard about him from me.

http://www.revilo215.bigcartel.com/
on Facebook Revilo 215

A little bit Floo, a little bit Mooka...

gets us to Flooka! I've been playing around with this pattern for a while now. Some have even seen it show up in my classes. Traditional wordless instructions can be found on the "Tangle Patterns" page.

Flooka wildness!

What I've learned is that the curvier you make the initial stroke, the more Flooka looks like a curled up "pill bug." I've also learned that Flooka is ambidextrous, that is to say, you can curve the initial stroke to the left or the right.

I call it "Flooka" because the shape reminds me a little of the shape of "Floo" pods and because the second stroke reminds me of the "outside line creates the inside shape" nature of "Mooka." Strangely, the people to whom I've taught it (and I, myself) are reminded of caterpillars. We think, particularly, of the caterpillar from Alice in Wonderland, although we don't exactly know why.

Will we go 'round in circles?

Simple enough: put the little wheel inside the bigger wheel and put the pen in one of the holes. Start moving the little wheel around inside the big wheel and most important of all: STOP THINKING TOO MUCH!

I loved my spiro-toy then; I love it today. But, it sometimes IS a love-hate kinda deal. When I relax and deliberately focus on letting the wheel guide me, I get great results! When I think I know where to PUSH the pen, not so much.

Sound like anything else we know? When I follow my pen, I get better results! When I push it, not so much. And this is a lesson I learned all over again in working on my first Zendalas. Focus on the space, on following the pen... not on thinking how to push the pen where I think it needs to go!

Join me? I'm conducting my first Zendala workshop on Saturday, June 30 in Plymouth Meeting, PA. Details on the class schedule page or jump directly to the registration page by clicking here.

Comes a moment...

I have an acquaintance who is a yoga instructor, and I once overheard her to say, "oh, I can't do my own practice when I teach; it's impossible." And, I kinda get that. As she's teaching postures, positions, and poses, it would be difficult to silence the sound of her own instructor's voice in her own head to achieve the meditative state that she's encouraging her students to seek.

When I am teaching, I often experience the same phenomenon. I deliver my lines, answer questions, provide feedback, encourage nervous students... juggling so many functions makes the state of Zentangle elusive at times.

Yet, there comes a moment in every class - EVERY CLASS - when the group gets "there." It's never the same pattern or technique; it's not the same time in each class. But in every class, there comes a time, when everyone is quiet, when art is being made, and when creative peace settles over and illuminates every artist in the room.

Thank you to all of my students for those moments.

AIn't it just the way?

I clicked "schedule... send now..." and the latest issue of TeeZeeTidbits went winging through the ether... zoooooooom.

Just as I extended my clicker finger to zoooooooom over to the blog to activate the poll I promised in the newsletter, the doorbell rang. (Don't worry, this is not a scary movie.)

The electrician said, "sorry, but I need to shut down your electricity while I troubleshoot some problems with the parking area lights; it'll just be a minute."

Uh-huh. I live in an old house, with old wires, and with old connections, and possibly even old watts running through those old connections and wires. So.... note to self: post only in the middle of the night when no electricians are up and about!

Note to you all: vote in the poll!

Where did February go?

You mean you do other things besides Zentangle?

Oh yes. Last year and this year, I participated in Thing-A-Day, the creative sprint for the month of February. One thing - at least one thing - every day for all the days in February.

Last year, I initiated the Odd Fellows project. This year, I continued it. You can see the work here:

http://www.hotelgaramond.blogspot.com/

But, hey! Doesn't mean I don't still want to tangle around! Check out the class schedule and see if there's room in your schedule for some artistic fun. See you soon, I hope!

Back to School?

Well, back to class anyway!

I've just posted new class schedules on the "Class Schedule" page.

I'm rolling out some new classes (Zentangle Organics at Morris Arboretum) and some new locations (Cambridge, MD and Wallingford, PA) and some new tricks and techniques (sign up and see!).

I would surely love to see you at a session soon!